
While not as much of a commercial success as Quentin Tarantino's later film
Pulp Fiction,
Reservoir Dogs is today regarded as a classic, although happily one that doesn't take itself too seriously. With its out-of-sequence narrative involving a diamond heist, its desperate characters expressing opinions on music and cinema, and the constant radio play (all the film's music is from source cues),
Dogs remains shocking and exhilarating. Even stronger on the CD is the implication that the story is somehow being told by Steven Wright's deadpan '70s disc jockey. Tracks include "Little Green Bag" by the George Baker Selection, "Hooked on a Feeling" by Blue Swede, "I Gotcha" by Joe Tex, "Coconut" by Harry Nilsson, and the one that will always remind viewers of the movie's grisliest scene, "Stuck in the Middle with You" by Stealers Wheel.
--Stanley Booth Customer Review: clowns to the left of me, jokers to the right
If there's one thing I must give Quentin Tarantino high marks for is putting together some amazing soundtracks that both make for great listening and complement the film. After I'd first seen "Reservoir Dogs" (far later than every other decent movie-loving person on the planet), it struck me as being a good film with the potential to be truly great after several more viewings. I already knew it was going to become one of my top favorite movies of all time. But what gave it that special kick -- besides the simple but tight plot, the incredible actors, and the love of my life Steve Buscemi (did I just type that out loud...?) -- was the music. And even before I learned to fully appreciate the movie, I wanted -- no, *needed* -- the soundtrack. The songs weren't extraneous or inappropriate, but they effectively punctuated, underlined, and italicized certain scenes and made them even more memorable and meaningful than they would've been without the aural enhancements. As opposed to just random musical sounds laid over a scene, they actually fit in and occasionally lent some commentary if you think about it. I can listen to this soundtrack over and over (much like the "Pulp Fiction" soundtrack) and it's almost like reliving another layer of the movie. It also has the eclecticism of a free-form radio show, thanks to Steven Wright's "DJ"-ing. Okay, so this CD short. Okay, so some of the songs have been played to death already (did anybody catch the stupid Coke commercials that totally ruined the "Coconut" song? Feh...). It still works as a whole, film dialogue and DJ bits included.
Customer Review: Seriously funny
I did feel a bit gypped when I paid the regular price for this half-hour CD, but for anyone who saw the movie and even moderately enjoyed it, it's a must-buy. With the dialogue included, it can even function as a kind of poor man's DVD. One star for Little Green Bag. I never realized how good this song was until I heard it in full. One star for Blue Swede's Hooked on a Feeling, which, although it only plays for a second in the movie, is a great song. One star for the way Steve Wright pronounces 'Bohemiath.' It's worth buying it just for this. I'm serious. One star for the Madonna Speech, and Lawrence Tierney muttering: "Chu...Toby Chu?" One star for the way Steve Wright says: "...and Edison Lighthouse's...Love Grows...Where My Rosemary Goes." The Coconut song and Stuck in the Middle With You are also great. The only thing I missed was any part of the dialogue which begins with Steve Buscemi saying: "How come _I_ gotta be Mister Pink?"
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